Monday, August 28, 2006

As it turns out, my life was spared and the plane landed safely, twice. Michigan was five long days of drinks, drugs and ... Detroit? Fuck it, that's good enough. I don't have the time to alliterate for free.

Mike and Stephanie's wedding celebration was a blast in Lansing, thanks to a fine soft rock soundtrack curated by Diamond, a full bar and a gaggle of folks I hadn't seen in coon's ages. No camera this time, so I can't regale you with unflattering snaps, but suffice to say there was an equal mix of bad behavior and tender reminiscence, so the event was quite satisfying.

I also spent quality time with Suzi, a stand-up dame and mother of two better known for her work with Crotch. We drank extremely good rum while her insane genius children ran wild and her stoic, long-suffering husband Mitch casually absorbed the mayhem. Two things I learned from this experience, kids hate to be stung by bees and you have to be careful when you give them Pixie Stix, because that stuff is like bleach if you get it in the eyes.

A few hours of sleep under my belt and it was time to head for Detroit's Analog Giant to lay down hasty tracks for another hotly-contested Seger Liberation Army release. Thomas "Jackson" Potter played ringmaster, Nick Dirty handled beats and Mike Walker and Diamond took turns on bass. I played some of the worst guitar of my life, but thanks to Jim's magic touch my slob-handed riffing ended up sounding "eccentric" rather than "shitty." That's what I keep telling myself, anyhow. In future years impressionable kids will be studying my surreal take on Bob Seger's "Down Home" riff, trying in vain to capture that mangled, broken-finger style I so effortlessly pulled out of my ass with the aid of bourbon, coffee, vicodin, ritalin and some other stuff I'd rather not discuss. Diamond's Telecaster was covered in blood when I finished my licks, a testament to how hard I rock even in the most primitive of circumstances. Tommy's vocals were as strong as anything he's ever done, Mark Deming drove four hours to lay down some rousing backups, and I'm sure that the end result will please anyone who enjoyed the original SLA material. Hopefully Big Neck Rex will have the CD out in time to piggyback on Old Man Seger's comeback LP and tour.

As much fun as I had, I was ready to kiss the fucking ground when I got back to Seattle. Since then I've been trying to catch up at the temp gig, applying for a couple "real" jobs that I don't want, banging my head against a wall with Resonance and working on End Times material ... I finished another new song this weekend, a gentle, doomy folk musick meditation on the apocalypse. You stupid kids are all gonna love it.

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